by silver space stl
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Event Calendar

Stay up to date on upcoming gallery exhibitions, projects, and collaborations in St. Louis.

 

Check our collection of arts related events happening around St. Louis.

WE’RE BAAAAACK!!!

Much like the poltergeist from the feature film Poltergeist 2, in person events are back! Because scheduling is scary enough, Silver Space is here to help. Behold, our virtual baby - The Events Calendar - revived by popular demand. Here you can find out when the next gallery opening is, where you can hear free artist talks, and even what you missed out on because you didn’t check the calendar like you should have in the first place. Shame!

If you have an exhibition, event, artist talk, opening, or something tangentially associated, email marinam@silverspacestl.com and we’ll do our best to get you on!

ALINGERING NOTE: in-person gatherings during covid

During these Quarantimes, we wish everyone the best health and happiness. We are proud to support local galleries, museums, and businesses who are working tirelessly to provide you enjoyable experiences and services. With that being said, we encourage everyone to take proper precautions and mindfulness when spending time in public spaces.

Be sure to visit each venue’s website for information on their COVID-19
business hours, guidelines, and mask policies.


If you are still unsure how to protect yourself and others, please visit the World Health Organization's website for more advice and updates on the COVID-19 outbreak.


 

 

CONTEMPORARY ART MUSEUM // We didn’t ask permission, we just did it…, Guest Curated by Manuela Paz and Christopher Rivera of Embajada
Sep
9
to Feb 12

CONTEMPORARY ART MUSEUM // We didn’t ask permission, we just did it…, Guest Curated by Manuela Paz and Christopher Rivera of Embajada

  • Contemporary Art Museum St. Louis (map)
  • Google Calendar ICS

We didn’t ask permission, we just did it…, Guest Curated by Manuela Paz and Christopher Rivera of Embajada, Opens at CAM September 9, 2022

Ignacio González Lang, Open Mic. Fortaleza #302, 2000. Featured in M&M proyectos’ PR ‘00
Paréntesis en la Ciudad, Artistic Director Michy Marxuach, October 9–14, 2000, San Juan, Puerto
Rico. Courtesy the artist and Michy Marxuach.

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Workshop: Yoko Ono's Grapefruit / Pulitzer Arts Foundation
Jun
11
2:00 PM14:00

Workshop: Yoko Ono's Grapefruit / Pulitzer Arts Foundation

Pulitzer Arts Foundation

Workshop: Grapefruit

SATURDAY, JUNE 11, 2022 AT 2 PM

Come participate in a workshop series organized in response to Yoko Ono’s "Grapefruit" (1964). These instruction based artworks invite direct participation from the public prompting them to think and act in new ways. Participants will be led by Pulitzer staff through a series of guided participatory and imaginative exercises. Materials will be provided. The workshops are open to all ages and abilities.

Yoko Ono
"TYPESCRIPT FOR GRAPEFRUIT," 1963–64
Typewritten cards, some with ink additions
Each: 5 1/2 x 4 1/8 inches

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FOUNDRY ART CENTRE // 2nd Annual Block Party
Jun
11
11:00 AM11:00

FOUNDRY ART CENTRE // 2nd Annual Block Party

BLOCK PARTY

Saturday, June 11, 2022, 11 AM - 5 PM

This FREE event features interactive art projects for all ages, a print market, food trucks, beer booths, live music, heavy machinery, and steamroller printing.

The Foundry’s Block Party centers on a unique and over-the-top method of printmaking, using a STEAMROLLER! Large-scale images created by regional artists are carved on large woodblocks. St. Louis print house Grafik House’s team of inkers roll ink onto these blocks, canvas is laid on top, and then the whole thing is run over with a steam roller – squishing the ink from the woodblock to the sheet. These fantastic prints will be taken into the Foundry’s Grand Hall to dry on display.

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G - CADD // EXHIBITION #29
Jun
4
to Jul 23

G - CADD // EXHIBITION #29

  • 1800 State Street Granite City, IL, 62040 United States (map)
  • Google Calendar ICS

Saturday, June 4, 2022 6:00 PM
Saturday, July 23, 2022 4:00 PM

@ INSURANCE: Emily Mueller, Doorway into Thanks

@ GREASE: Padyn Humble, Baby blue, too

@ IN/OUT: James Coleman, Snap Crap

@ DOMESTIC: Cory Mahoney, an amber of this moment

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First Friday: Tropicália with DJ Mo Samba at the Pulitzer Arts Foundation
Jun
3
6:00 PM18:00

First Friday: Tropicália with DJ Mo Samba at the Pulitzer Arts Foundation

Dance to Brazilian tropicália music with local DJ Mo Samba. Tropicália was a Brazilian artistic and political movement that arose in the late 1960s. This program is organized in response to Assembly Required artist Hélio Oiticica’s artwork "Penetrável Macaléia (#28)" (1978) which was dedicated to tropicália musician Jards Macalé.
Photograph by Virginia Harold

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MONACO // Warm Walls, Organized by The Latent Space
Jun
3
to Jul 9

MONACO // Warm Walls, Organized by The Latent Space

Monaco is pleased to host Warm Walls, a duo exhibition organized as an exchange with The Latent Space (Chicago, IL). Warm Walls features artists Andrew Park (Los Angeles, CA) and S.H. Kim (Chicago, IL) in the Main Space, and is organized by Kalan Strauss, the director of The Latent Space.

Warm Walls will run through Sunday, July 9, 2022, with viewings available on Saturdays from 12-4pm and by appointment.

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Sandra Payne: A World of Shine / Projects + Gallery
May
13
to Sep 16

Sandra Payne: A World of Shine / Projects + Gallery

A World of Shine

May 13—August 6, 2022

Opening Reception: Friday, May 13, 2022 from 6 - 8 PM

Curatorial Talk with Susan Barrett and Associate Curator Margaret Rieckenberg: Saturday, May 14, 2022 at 11 AM

“I fall into a world that I am pulled into; a world of depth, a world of shine.”

 — Sandra Payne

Sandra Payne’s series of jewel collages are products of an experiment in vision that examine conceptions of beauty, value, and perception. Paper reproductions of precious metals and stones meticulously cut from jewelry catalogs take on their own splendor at exaggerated scales in winding, lyrical compositions. Building layers of color and orbital patterns, the artist translates the microcosm of the picture plane into the cosmic macrocosm, forming a universe unto itself. In these works, Payne provides the space to reflect on the nature of desire and the role of artifice.

After completing an undergraduate fine arts degree at Washington University Saint Louis and a Master of Fine Arts degree at the University of South Florida, Sandra Payne traveled to New York City in the 1970s to join the Whitney Museum Independent Study Program and later pursue a career as a public librarian. While there, she also began showing her artwork at local galleries including the influential Just Above Midtown gallery. During this period, Payne’s ongoing use of and reference to objects of opulence, precious materials, and the qualities of glitter acted as a dialogue between the self-reflexive language of postmodernism and western and non-western cultural traditions of adornment and the commune with nature.

With expertise gained from her years working in the New York Public Library system, Payne meticulously and lovingly gathered around her the ephemera of her life and her family history, which she categorized and carefully arranged in tableaus that fill her familial home in St. Louis—a work of art in its own right that stands now as an intimate view into not only the artist’s past, but the larger mid-century Black middle-class experience in the racially divided city.

A prolific but relatively unknown artist, Sandra Payne passed away in 2021, leaving behind an undiscovered oeuvre that underscores both her technical and conceptual depth. A World of Shine magnifies the alchemical aesthetic experience of her practice, presenting a selection of her widely unseen series of paper jewelry collages in tandem with examples of her sculptural and installation work set within patterned environments rendered from her collages. This exhibition endeavors to give Sandra Payne her due—to stand as testament to the manifold work of a Black woman artist whose name has not been said enough.

4733 McPherson Ave. Saint Louis, MO 63108

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Artist Talk: Martine Gutierrez
Apr
21
6:00 PM18:00

Artist Talk: Martine Gutierrez

  • Contemporary Art Museum St. Louis (map)
  • Google Calendar ICS

Thursday April 21, 6:00pm – 7:00pm at the Contemporary Art Museum

Artist Martine Gutierrez and Chief Curator Wassan Al-Khudhairi discuss the exhibition HIT MOVIE: Vol. 1, providing insight into the concepts and processes involved in creating the works on view.

This event is sponsored by the Robert Lehman Foundation.

RSVP for a Free Ticket: https://camstl.org/event/artist-talk-martine-gutierrez/

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Futures Fund: Cycle 4 (2022) Application DUE / The Luminary
Apr
20
3:00 PM15:00

Futures Fund: Cycle 4 (2022) Application DUE / The Luminary

Futures Fund: Cycle 4 (2022) Applications now open for funding artist projects in the region

Organized by The Luminary / APPLICATIONS DUE APRIL 20TH

The annual regranting initiative supported by the Andy Warhol Foundation for the Visual Arts announces its fourth cycle, with applications now open for direct funding of artistic projects in the region.

Applications for the fourth cycle open Feb 16th, and close April 20th. A free info session will take place over zoom April 8 at 6pm CST. Attendance is recommended, but not required. If you have any questions about the application, or need support with applying, please contact Kalaija at kalaija@theluminaryarts.com

MORE INFORMATION & APPLY NOW

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The Arts Writing Residency at The Luminary // Applications Due
Apr
15
to Apr 16

The Arts Writing Residency at The Luminary // Applications Due

The Arts Writing Residency embeds an arts writer in St. Louis’ Black arts communities, where they will incubate and enhance the city’s arts critical discourse.

The Black Embodiments Studio (Seattle, WA), Burnaway (Atlanta, GA) and The Luminary (St. Louis, MO) have long worked to incubate critical arts discourse in their respective cities, forging ties with artists, critics, researchers, and audiences for whom the arts are a central site for convening, reflection, and change. The Arts Writing Residency is a joint endeavor that advances the organizations’ long-standing commitments to arts writing as a necessary component to healthy arts communities—and reflects their beliefs that arts writing can and should be supportively cultivated and adequately compensated.

To this end, the residents will be hosted at The Luminary, their writing practice will be guided by The Black Embodiments Studio, and their work will be published by Burnaway.

The Arts Writing Residency will provide a structure of support for two writers to enter into and engage with St. Louis’ Black artists, and with museums, galleries, and events that feature and support them. The writers will receive housing accommodations in The Luminary’s residency apartment for one month, a $3,250.00 stipend to support their writing, and $350.00 travel stipend.

The Arts Writing Residency is a pilot program. As such, one resident will be selected from an application process only open to people who have already participated in The Black Embodiments Studio Arts Writing Incubator, or who will have completed their participation in Spring 2022. The second resident will be selected from an open call process, the eligibility of which is described below.

Applicants will pitch for how they will spend their time in residence. To be eligible for consideration, all pitches must thoughtfully and critically engage with St. Louis’ Black arts community. Applicants could propose, but are not limited to:

  • Publishing a weekly or biweekly column

  • Developing and publishing in-depth profiles of 2+ Black artists

  • Conducting interviews to be in conversation with St. Louis Black creatives

  • Writing a review of 2+ exhibitions, performances, or programs in St. Louis

  • Experimenting with arts writing and offer a new form

  • A combination of the above

Applications are due April 15, 2022.

Check out The Arts Writing Residency for more information.

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B Sides - flowers for my friends at Monaco
Apr
15
to May 22

B Sides - flowers for my friends at Monaco

B Sides - flowers for my friends at Monaco

Jake Boggs, Kalani Largusa, Dhehee Lee, Nick Schleicher, and Shawn Spangler

April 15th - May 22nd 2022

Monaco

St. Louis, MO


Monaco is pleased to present B Sides -flowers for my friends, an exhibition featuring works by Jake Boggs, Kalani Largusa, Dhehee Lee, Nick Schleicher, and Shawn Spangler, organized by Nick Schleicher. Please join us with an opening reception on Friday, April 15th from 6-9 pm. The exhibition will run through May 22nd, 2022, with viewings available on Saturdays from 12-4pm and by appointment.

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Esther Ruiz: Hall of Exits at Monaco
Apr
15
to May 22

Esther Ruiz: Hall of Exits at Monaco

Hall of Exits

Esther Ruiz

April 15th - May 22nd 2022

Monaco

2701 Cherokee Street

St. Louis, MO 63118


Monaco is pleased to present Hall of Exits, a solo exhibition by Esther Ruiz, in the Project Space. Join us for an opening reception Friday, April 15th from 6-9pm. The exhibition will run through May 22nd, 2022, with viewings available on Saturdays from 12-4pm and by appointment.

Organized by Monaco Member Nick Schleicher.

EXHIBITION STATEMENT

Since beginning her Wells series in 2014, Ruiz has dreamt of arranging the works in a hallway. In the Project Space of Monaco, Ruiz positions the mirrored surfaces of the plexiglass forms to occupy opposing walls, forming a Hall of Exits. The Wells reflect into one another ad infinitum as the viewer navigates a narrow passage illuminated by neon. Relying on the symmetrical orientation of the ambiguous forms, Ruiz elicits the experience of two foreign bodies communing across a divide. In their inception, Ruiz designed the Wells around the tenants of minimalism - the formalism acts as a tool for divination - as the works invoke a portal or wormhole to a fictionalized landscape imagined by the artist. Though, with the events of the past few years, Ruiz believes the potency of the Wells now lies in its ability to reflect the ever-changing environment, both real and imagined, to which the works bear witness and purvey. The convocation of mirrored surfaces - blank shapes endlessly echoing back and forth to one another - encapsulate and depict the fantastical resounding energy of an indescribable, ephemeral, ethereal realm.

ARTIST STATEMENT

Ruiz creates objects that operate simultaneously as miniature landscapes from a distant future and actual size sculptures informed by the family of Minimalism. The cylinder, the semicircle, the triangle, and other Euclidean forms are combined into colorful and expressive freestanding sculpture. Ruiz uses the minimalist vocabulary to create relics of imagined experiences. Of her creative process, she says: “The imagery I work with is born out of exploring and researching fictional places imagined in my mind...and ultimately, my work exists as an effort to visually explain an emotional state of mind with mathematical acuteness, hence the paired down materials and forms.” She begins with a collection of emotions, memories, impressions of light, and sounds, then translates them into an abstract geometric aesthetic. The newer works, shifting away from the cylindrical forms, but still adhering to a strict material diet, act as objects from these landscapes. Some act as tomes, containing foreign information; others as stand-ins for familiar domestic objects but with fundamental idiosyncrasies. Her series of Wells, began in 2014 as wormholes or portals to these worlds. The reflective material invites the viewer to join this fantastical world. But by also warping the viewer and their surroundings, the Wells, placed slightly above eye level, induce one to look beyond or through their current place and to imagine their own fictional world.

BIO

Esther Ruiz (b. 1986 Houston) received a bachelor of Arts degree in Studio Art from Rhodes College in 2011 and currently lives and works in Brooklyn, New York. Selected solo exhibitions include The Schneider Museum of Art in Ashland, Oregon, Reynolds Gallery in Richmond, Virginia, yours mine & ours in New York, New York, Brooklyn Academy of Music, and Platform Baltimore. Selected group exhibitions include Ladies’ Room LA, Torrance Art Museum, NADA Gallery, Deslave, LVL3, New Release Gallery, and Hollis Taggart. She has been featured in The Washington Post, Art News Magazine, Art F City and VICE. She was also a visiting lecturer at School of Visual Arts, New York, New York, Moore College of Art and Design, Philadelphia, Pennsylvania, and Santa Barbara City College among others.

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Lola Ogbara and Amina Ross: split my sides // Spring Exhibition Opens at the The Luminary
Apr
9
to Jul 15

Lola Ogbara and Amina Ross: split my sides // Spring Exhibition Opens at the The Luminary

Lola Ogbara and Amina Ross: split my sides // Spring Exhibition Opens at the The Luminary

Opening on April 9 at The Luminary, "split my sides" is an exhibition on Black trans and feminine interiority // geographies featuring new and recent work by Lola Ayisha Ogbara and Amina Ross.


The Luminary is pleased to present its spring exhibition split my sides features new and recent work by Lola Ayisha Ogbara and Amina Ross on view from April 9 to July 16, 2022. The exhibition’s title derives from Maya Angelou’s poem and performance, “The Mask,” of which she writes to honor the "survival apparatus" performed by Black folks to conceal pain through laughter:

When I think about myself
I almost laugh myself to death...
I laugh so hard HA! HA! I almos’ choke
When I think about myself.

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Pleasure Island: 2022 BFA in Studio Art Capstone Exhibition, Part 1 at Des Lee Gallery
Apr
9
5:00 PM17:00

Pleasure Island: 2022 BFA in Studio Art Capstone Exhibition, Part 1 at Des Lee Gallery

Pleasure Island: 2022 BFA in Studio Art Capstone Exhibition, Part 1 at Des Lee Gallery

Join us for the opening of Pleasure Island, the 2022 BFA in Studio Art Capstone Exhibition, Part 1, on view April 9-23, featuring the work of seniors from the program.

Featured Artists
Lena Cramer
Maia Cousins
Kale Day
Betsy Ellison
Alex Evets
Kay Ingulli
Avery Johnson

The gallery will be open from 1-6p each Saturday during the duration of the exhibition, including the day of the opening reception. Additional viewing hours will be by appointment, Tuesday-Friday from 1-6p, through this registration link. Appointments for group bookings outside of normal hours can be made by contacting anschultz@wustl.edu.

Visitors are encouraged to wear a mask and practice social distancing. Paper masks are available for anyone who needs one.

The Des Lee Gallery is located in downtown St. Louis in the University Lofts Building. Metered street parking is available.

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Peter Manion: Better When I’m Bad at Houska Gallery
Apr
9
to May 14

Peter Manion: Better When I’m Bad at Houska Gallery

Peter Manion: Better When I’m Bad

Exhibition Dates: April 9th - May 14th, 2022

Better When I’m Bad is an intimate collection of new work from Peter Manion, created from 2020 to 2021. During this time, amidst the pandemic, Peter took a sabbatical in Mexico, culminating in the inspiration for this series. The personal journey through culture and terrain set the scene for Peter to process ideas of consumption, celebration, and inner conflicts relating to relationships, love, and impulse.

Heavily spontaneous and authentic renderings include characters, icons, and psychic identities. The works are primarily gestural inks and watercolor on paper, anchored with Manion’s signature plaster felts. A story presented in a dreamy outline, archives a world describing the artist’s internal and external experience of being human, spiritual, and questions of realms that exist between.

A virtual tour of the show will be available shortly.

Our current hours are Tuesday - Saturday, 11 am - 4 pm, or contact us to schedule a private viewing.

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Futures Fund: Cycle 4 (2022) Application Info Session / ZOOM / The Luminary
Apr
8
6:00 PM18:00

Futures Fund: Cycle 4 (2022) Application Info Session / ZOOM / The Luminary

Futures Fund: Cycle 4 (2022) Applications now open for funding artist projects in the region

Organized by The Luminary

The annual regranting initiative supported by the Andy Warhol Foundation for the Visual Arts announces its fourth cycle, with applications now open for direct funding of artistic projects in the region.

Applications for the fourth cycle open Feb 16th, and close April 20th. A free info session will take place over zoom April 8 at 6pm CST. Attendance is recommended, but not required. If you have any questions about the application, or need support with applying, please contact Kalaija at kalaija@theluminaryarts.com

MORE INFORMATION & APPLY NOW

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Barrett Barrera Conversations: On Collecting // Susan Barrett, Hannah Klemm, and Katherine Bernhardt
Apr
2
11:00 AM11:00

Barrett Barrera Conversations: On Collecting // Susan Barrett, Hannah Klemm, and Katherine Bernhardt

Barrett Barrera Conversations: On Collecting // Susan Barrett, Hannah Klemm, and Katherine Bernhardt

projects+gallery

Saturday, April 2, 2022

11am - 12pm

This conversation in in person at projects+gallery
Live Broadcast on Zoom and Instagram

Susan Barrett is the president and founder of projects+gallery and will be joined by Hannah Klemm, Associate Curator of Modern and Contemporary Art at the St. Louis Art Museum and artist Katherine Bernhardt.

RSVP on Facebook

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SHRED IT at Cunst Gallery // installation and performance by Lena Cramer
Apr
1
7:00 PM19:00

SHRED IT at Cunst Gallery // installation and performance by Lena Cramer

⚠️UP NEXT AT CUNST⚠️: SHRED IT, an installation and performance by Lena Cramer (@ronaldreaganfanclub), opens Friday, April 1!

PUMP IT UP! FEEL THE BURN! Within a home gym built in the Cunst basement, Cramer rides a stationary bike while dressed as a campily masculine character. Through the repetitive motion of peddling, they assert their masculinity. However, as exhaustion sets in throughout the duration of the performance, the cracks in this “perfect” masculinity begin to form, and the inherently constructed nature of gender is revealed.

Please feel free to leave your empty beer can in the space.

Lena Cramer (@ronaldreaganfanclub) crawled out of a swamp an indeterminate amount of time ago and now resides in St. Louis, Missouri. Working primarily in installation and performance, Cramer’s work explores queer temporalities, identity production, and artifice.

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Resonance at Cunst Gallery // a zine-release and exhibition by Austin Roberts Toledoo
Apr
1
7:00 PM19:00

Resonance at Cunst Gallery // a zine-release and exhibition by Austin Roberts Toledoo

Resonance, a zine-release and exhibition by Austin Roberts Toledo (@austinrobertsphoto_)

Friday April 1

7 - 10 pm

at Cunst Gallery

Resonance focuses on the energy of people coming together and the traces they leave behind.


Austin Roberts Toledo is an artist from St. Louis, Missouri. He has been influenced greatly by his experiences as a traveling musician and established photography as a method of spontaneously interpreting the events that he encounters along the way. His work has been exhibited locally in group exhibitions at Flood Plain Gallery, Art St. Louis, and St. Louis Community College as well as in solo exhibitions at South City Art Supply, HOEL and 2720 Cherokee St. Austin has also been highlighted as a featured artist in Natural Bridge Literary Magazine and presented a talk on photography at Granite City Art and Design District (G-CADD).

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The Brewster Kaleidoscope Society’s Kaleidoscope, The Art Form at The Foundry Art Centre
Apr
1
to May 13

The Brewster Kaleidoscope Society’s Kaleidoscope, The Art Form at The Foundry Art Centre

Sarah Knight: Crystal Queer at The Foundry Art Centre

Opening Friday, April 1, 2022 from 5 - 8 pm running through May 13, 2022.

Sarah Knight (they/them) is an artist living in Saint Louis, Missouri. They grew up in California and graduated with their MFA from Washington University in Saint Louis in 2020. Their work expresses their experiences by creating ambiguous ceramic and stone sculptures that foster a more fluid understanding of identity. Using both made and found objects, Knight explores the assumption of artifice as deception and natural as innate by creating sculptures that embody both.

In their exhibition Crystal Queer, Sarah reimagines the definition of queering as disorientation of visual and conceptual cohesion. The accumulation of fragments, quotes, and definitions aim to create a space of perpetual flux and transmutation in meaning and reinterpretation. Using the ceramic process of “fluxing” as a metaphor and physical object, the artist intends this space to embody the joy in the unidentifiable and the alchemical transformation of matter, language, and identity.

An opening reception for all exhibitions will be held on Friday, April 1st, from 5-8 p.m., as part of the Foundry Art Centre’s First Fridays. Exhibitions will be open through May 13.

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 Sarah Knight: Crystal Queer at The Foundry Art Centre
Apr
1
to May 13

Sarah Knight: Crystal Queer at The Foundry Art Centre

Sarah Knight: Crystal Queer at The Foundry Art Centre

Opening Friday, April 1, 2022 from 5 - 8 pm running through May 13, 2022.

Sarah Knight (they/them) is an artist living in Saint Louis, Missouri. They grew up in California and graduated with their MFA from Washington University in Saint Louis in 2020. Their work expresses their experiences by creating ambiguous ceramic and stone sculptures that foster a more fluid understanding of identity. Using both made and found objects, Knight explores the assumption of artifice as deception and natural as innate by creating sculptures that embody both.

In their exhibition Crystal Queer, Sarah reimagines the definition of queering as disorientation of visual and conceptual cohesion. The accumulation of fragments, quotes, and definitions aim to create a space of perpetual flux and transmutation in meaning and reinterpretation. Using the ceramic process of “fluxing” as a metaphor and physical object, the artist intends this space to embody the joy in the unidentifiable and the alchemical transformation of matter, language, and identity.

An opening reception for all exhibitions will be held on Friday, April 1st, from 5-8 p.m., as part of the Foundry Art Centre’s First Fridays. Exhibitions will be open through May 13.

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UNSEEN: 2022 CRITICAL MASS CREATIVE STIMULUS AWARD EXHIBITION at COCA
Apr
1
to May 1

UNSEEN: 2022 CRITICAL MASS CREATIVE STIMULUS AWARD EXHIBITION at COCA

  • Center of Creative Arts (map)
  • Google Calendar ICS

UNSEEN: 2022 CRITICAL MASS CREATIVE STIMULUS AWARD EXHIBITION

APR 1 — MAY 1

unSEEN: 2022 Critical Mass Creative Stimulus Award Exhibition is a group exhibition featuring six St. Louis-based contemporary artists: José Garza, Yowshien Kuo, Marina Peng, Janie Stamm, Simiya Sudduth, and Chloe West.

Gallery Opening | APR 1 | 6:00–8:00PM

As recipients of an annual award sponsored by Critical Mass for the Visual Arts, these artists represent a dynamic and diverse group of creative thinkers. Some explore themes of identity, ecology, community, belonging, and displacement while others draw inspiration from popular culture, personal and autobiographical narratives. Their works range from a wide variety of methodologies and artistic mediums. This exhibition is organized by Critical Mass for the Visual Arts and in collaboration with COCA’s Millstone Gallery.

Curated by Surface Design Association’s Vice President, arts advocate, and artist Yvonne Osei.

HEC-TV Interview with Yvonne Osei & Preview of unSEEN

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WOMEN AND THE KEMPER LECTURE: MONSTERS, CYBORGS, AND VASES: SPECTERS OF THE YELLOW WOMAN / Online Lecture / Kemper Art Museum
Mar
31
6:00 PM18:00

WOMEN AND THE KEMPER LECTURE: MONSTERS, CYBORGS, AND VASES: SPECTERS OF THE YELLOW WOMAN / Online Lecture / Kemper Art Museum


Anne Anlin Cheng
, professor of English at Princeton University and Visiting Hurst Professor in the Department of English in Arts & Sciences at Washington University, considers a series of humanoid art objects—monsters, cyborgs, and standing vases—as visual fulcrums through which to explore how racialized gender, specifically the specter of the yellow woman, animates European-American narratives about the past and designs for the future, as well as how contemporary Asian artists disrupt these representations of Asiatic femininity.

Chris Eng, assistant professor in the Department of English at Washington University in St. Louis, will facilitate a Q&A following the talk.

Free and open to the public, but registration is required. Register here >>

Support for this program is provided by Women and the Kemper.

Co-sponsored by the Department of English in Arts & Sciences, which is also hosting a lecture by Cheng at 4 pm on Tuesday, March 29. Find out more >>

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G-CADD Exhibition #28
Mar
26
to May 14

G-CADD Exhibition #28

  • Granite City Art and Design District (map)
  • Google Calendar ICS

Exhibition #28

Saturday, March 26, 2022 6:00 PM - Saturday, May 14, 2022

@INSURANCE: Morgan Rose Free, In Memory of Nothing Yet
@GREASE: Lindsey Stouffer & Joanna Mendoza, Beasts

@DOMESTIC: Sarah Paulsen and Natalie Baldeón, Nature/Nurture

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Artist Talk: Gala Porras-Kim
Mar
26
1:00 PM13:00

Artist Talk: Gala Porras-Kim

  • Contemporary Art Museum St. Louis (map)
  • Google Calendar ICS

Join artist Gala Porras-Kim and Amant Foundation Artistic Director Ruth Estévez in a conversation with Chief Curator Wassan Al-Khudhairi about Porras-Kim’s exhibition, practice, and process.

This event will take place on-site with reduced capacity. Registration is required. A recording will be posted at camstl.org/video following the event.

This event is sponsored by the Robert Lehman Foundation.

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Artist Talk // NICOLE MILLER: A SOUND, A SIGNAL, THE CIRCUS at the Kemper Art Museum
Mar
25
7:00 PM19:00

Artist Talk // NICOLE MILLER: A SOUND, A SIGNAL, THE CIRCUS at the Kemper Art Museum

ARTIST TALK: NICOLE MILLER: A SOUND, A SIGNAL, THE CIRCUS

March 26, 2022, 11 AM in the Steinberg Auditorium

Nicole Miller discusses her new site-specific installation, A Sound, a Signal, the Circus, contextualizing it within her recent body of work. She will explore notions of embodiment and creative articulation and also talk about her collaborations with youth of color.

Free and open to the public, but we request that you RSVP here >>

Known for her evocative videos and multimedia installations, California-based artist and filmmaker Nicole Miller frequently addresses themes such as race, translation, and the politics of representation. At the Mildred Lane Kemper Art Museum, she is creating a major new commissioned project that explores and expands an understanding of synesthesia as it relates to the Black experience in the United States through an intricate choreography of sound, moving image, and laser-light animation. Titled A Sound, a Signal, the Circus, this immersive installation engages with the sonic, the somatic, and aspects of spectacle to enact what the artist describes as a kind of “ecstatic translation.” The exhibition will be on view March 25 to July 25, 2022.


Miller’s 24-channel soundscape will direct viewers through the gallery. It is composed of recorded and appropriated sounds and music, along with edited excerpts from interviews that she conducted in St. Louis in the summer and fall of 2021. In these interviews, poets, dancers, educators, and teenagers of color share a range of perspectives—personal, political, philosophical, and creative—often drawing connections to their own bodies. Punctuating this sonic tapestry will be choreographed laser light and video footage of performers rehearsing, many of whom are preparing for roles in various circuses.


Notions of embodiment and articulation are common threads throughout Miller’s work. In recent years, a core aspect of her practice has involved collaborating with young people, especially youth of color. The exhibition at the Kemper Art Museum builds on previous video installations that examine how societal pressures and the violence of racism condition the experience of growing up in the United States, including how youth are perceived.


By inserting the voices of those who are just figuring out how to tell their stories into the context of an art museum, Miller challenges us to see these young people not through the lens of latent potential (or lack thereof) but as “brilliant in the here and now.”


Miller is also attuned to performances and performers, from renowned artists to those who are new to their craft. She gravitates to spaces of practice and rehearsal, and frames expressive articulation as an ongoing process rather than a point of arrival. The sound of disembodied voices in Miller’s new soundscape—each with their own observations and inflections—and the sight of bodies moving through space sets up the potential for a heightened consciousness of one’s own body while provoking questions about whose bodies are valued in society, whose voices are amplified, and whose lives are cherished.


Nicole Miller: A Sound, a Signal, the Circus is organized for the Kemper Art Museum by Meredith Malone, curator. The work is produced in collaboration with sound mixer and musician John Somers and laserist Zak Forrest.


Nicole Miller (b. 1982, Tucson, Arizona) earned her bachelor’s degree in fine arts from the California Institute of the Arts in Los Angeles in 2005 and her master’s in fine arts from the Roski School of the Arts at the University of Southern California in 2009. Miller’s work has been widely exhibited both nationally and internationally, including solo shows at the San Francisco Museum of Modern Art; the Ulrich Museum of Art in Wichita; the Museum of Contemporary Art Tucson; Ballroom Marfa in Texas; The High Line in New York; the Centre d’Art Contemporain Genève; LAXART and the California African American Museum, both in Los Angeles; and the Los Angeles County Museum of Art. Miller is associate professor in the Department of Visual Arts at the University of California, San Diego.

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NICOLE MILLER: A SOUND, A SIGNAL, THE CIRCUS at the Kemper Art Museum
Mar
25
7:00 PM19:00

NICOLE MILLER: A SOUND, A SIGNAL, THE CIRCUS at the Kemper Art Museum

NICOLE MILLER: A SOUND, A SIGNAL, THE CIRCUS

March 25, 2022 at the Kemper Art Museum in the Garen Gallery

6–7 pm Member preview

7–9 pm Public opening

Join us in celebration of the opening of Nicole Miller: A Sound, a Signal, the Circus.

6–7 pm Museum members are invited to preview the exhibition and receive two free drink tickets per household.

7–9 pm The public is invited to experience the exhibition and enjoy a "cash" bar. Credit and debit cards only.

Known for her evocative videos and multimedia installations, California-based artist and filmmaker Nicole Miller frequently addresses themes such as race, translation, and the politics of representation. At the Mildred Lane Kemper Art Museum, she is creating a major new commissioned project that explores and expands an understanding of synesthesia as it relates to the Black experience in the United States through an intricate choreography of sound, moving image, and laser-light animation. Titled A Sound, a Signal, the Circus, this immersive installation engages with the sonic, the somatic, and aspects of spectacle to enact what the artist describes as a kind of “ecstatic translation.” The exhibition will be on view March 25 to July 25, 2022.


Miller’s 24-channel soundscape will direct viewers through the gallery. It is composed of recorded and appropriated sounds and music, along with edited excerpts from interviews that she conducted in St. Louis in the summer and fall of 2021. In these interviews, poets, dancers, educators, and teenagers of color share a range of perspectives—personal, political, philosophical, and creative—often drawing connections to their own bodies. Punctuating this sonic tapestry will be choreographed laser light and video footage of performers rehearsing, many of whom are preparing for roles in various circuses.


Notions of embodiment and articulation are common threads throughout Miller’s work. In recent years, a core aspect of her practice has involved collaborating with young people, especially youth of color. The exhibition at the Kemper Art Museum builds on previous video installations that examine how societal pressures and the violence of racism condition the experience of growing up in the United States, including how youth are perceived.


By inserting the voices of those who are just figuring out how to tell their stories into the context of an art museum, Miller challenges us to see these young people not through the lens of latent potential (or lack thereof) but as “brilliant in the here and now.”


Miller is also attuned to performances and performers, from renowned artists to those who are new to their craft. She gravitates to spaces of practice and rehearsal, and frames expressive articulation as an ongoing process rather than a point of arrival. The sound of disembodied voices in Miller’s new soundscape—each with their own observations and inflections—and the sight of bodies moving through space sets up the potential for a heightened consciousness of one’s own body while provoking questions about whose bodies are valued in society, whose voices are amplified, and whose lives are cherished.


Nicole Miller: A Sound, a Signal, the Circus is organized for the Kemper Art Museum by Meredith Malone, curator. The work is produced in collaboration with sound mixer and musician John Somers and laserist Zak Forrest.


Nicole Miller (b. 1982, Tucson, Arizona) earned her bachelor’s degree in fine arts from the California Institute of the Arts in Los Angeles in 2005 and her master’s in fine arts from the Roski School of the Arts at the University of Southern California in 2009. Miller’s work has been widely exhibited both nationally and internationally, including solo shows at the San Francisco Museum of Modern Art; the Ulrich Museum of Art in Wichita; the Museum of Contemporary Art Tucson; Ballroom Marfa in Texas; The High Line in New York; the Centre d’Art Contemporain Genève; LAXART and the California African American Museum, both in Los Angeles; and the Los Angeles County Museum of Art. Miller is associate professor in the Department of Visual Arts at the University of California, San Diego.

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Spring/Summer Exhibitions Opening at the Contemporary Art Museum
Mar
25
to Jul 24

Spring/Summer Exhibitions Opening at the Contemporary Art Museum

  • Contemporary Art Mueum St. Louis (map)
  • Google Calendar ICS

CAM’s spring/summer exhibitions open Friday, March 25, 2022 featuring Gala Porras-Kim, Martine Gutierrez, and Alia Farid, and in the Education Galleries, ArtReach: Sumner and Vashon High Schools, and Collective Impact.

This event is free, no registration or tickets are required.

Doors open at 6:00 pm!

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