The Shape of Abstraction: Selections from the Ollie Collection presents paintings, drawings, and prints by five generations of black artists who have revolutionized abstract art since the 1940s. The exhibition includes Norman Lewis’s gestural drawings, Sam Gilliam’s radically shaped paintings, James Little’s experiments with color, and Chakaia Booker’s explorations in printmaking, among many others. Despite their significant contributions, many of these accomplished artists have remained largely under-recognized and omitted from the existing narrative of art history. However, the re-examination and celebration of this history is underway. 

In 2017, St. Louis native Ronald Ollie and his wife, Monique, gave the Saint Louis Art Museum a transformative collection of 81 works by black abstractionists. Ollie spent decades collecting, often befriending the artists and forming long, collaborative relationships. He grew up visiting the Museum with his parents, who nurtured his deep appreciation for art. This exhibition draws from and celebrates the Thelma and Bert Ollie Memorial Collection, which was named in honor of his parents.

The Shape of Abstraction: Selections from the Ollie Collection is curated by Gretchen L. Wagner, Andrew W. Mellon Fellow for Prints, Drawings, and Photographs; and Alexis Assam, 2018–2019 Romare Bearden Graduate Museum Fellow.

Galleries 234 and 235, Main Building

Free Admission

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Image: James Little, American, born 1952; Double Exposure, 2008; oil and wax on canvas; 39 × 50 inches; Saint Louis Art Museum, The Thelma and Bert Ollie Memorial Collection, Gift of Ronald and Monique Ollie 190:2017 © June Kelly Gallery / James Little