Sarah Davachi is a Canadian composer of electronic and electroacoustic music, currently based in Los Angeles where she is a doctoral student in musicology. She also holds a master’s degree in electronic music and recording media from Mills College in Oakland, California, where she studied with Maggi Payne and James Fei.

Her compositional projects are primarily concerned with disclosing the delicate psychoacoustics of intimate aural spaces, utilizing extended durations and simple harmonic structures that emphasize subtle variations in overtone complexity and natural resonances. The instrumentation she employs is varied, including analog synthesizers, electric and acoustic pipe organs, piano, orchestral strings, and woodwinds, with mutual idioms often layered in textural counterpoint. Her work as a researcher concerns aspects of organology, archival study, and phenomenology.

Since 2007, Davachi has also had the unique opportunity to work for the National Music Centre in Canada as an interpreter and content developer of their collection of acoustic and electronic keyboard instruments. She has held artist residencies at The Banff Centre for the Arts (Banff, Canada), STEIM (Amsterdam, Netherlands), WORM (Rotterdam, Netherlands), EMS (Stockholm, Sweden), and is the recipient of grants from the Canada Council for the Arts and the Alberta Foundation for the Arts.

In addition to her recorded output, including 2017’s All My Circles Run on Students of Decay and 2016’s Vergers on Important Records, Davachi has toured extensively across the globe, including recent appearances in Europe, Australia, and Japan, and has shared the stage with artists such as Donald Buchla, Aki Onda, Grouper, Arnold Dreyblatt, John Bender, Alessandro Cortini, Oren Ambarchi, Aaron Dilloway, Robert Aiki Aubrey Lowe, Loren Connors, and filmmaker Paul Clipson.

Lea Bertucci

Lea Bertucci is an American saxophonist/electronic musician/composer/performer whose work describes relationships between acoustic phenomena and biological resonance. In addition to her instrumental practice, (alto saxophone and bass clarinet), her work often incorporates multi-channel speaker arrays, electroacoustic feedback, extended instrumental technique and tape collage.

Deeply experimental, her work is unafraid to subvert musical expectation. Her discography includes a number of solo and collaborative releases on independent labels in the US and Europe, including I Dischi Del Barone, Obsolete Units, Telegraph Harp and Clandestine Compositions. In 2017, she released All That is Solid Melts Into Air: Works for Strings, on NNA Tapes. She has performed extensively across the US and Europe at venues such as The Kitchen, PS1 MoMA, The Drawing Center, Anthology Film Archives, Abrons Arts, The Walker Museum, Madison Square Park, ISSUE Project Room, Pioneer Works, The Queens Museum, The High Zero Festival, and Experimental Intermedia, among many others. She is a 2016 MacDowell Fellow in composition and a 2015 ISSUE Project Room Artist-in-Residence.